Lauren Satlowski

74 rue Mazarine, 75006 Paris
16 – 20, October, 2019

Lauren Satlowski

74 rue Mazarine, 75006 Paris
16 – 20, October, 2019

Lauren Satlowski

74 rue Mazarine, 75006 Paris
16 – 20, October, 2019

Lauren Satlowski

74 rue Mazarine, 75006 Paris
16 – 20, October, 2019

Lauren Satlowski

74 rue Mazarine, 75006 Paris
16 – 20, October, 2019

Lauren Satlowski

Installation view

Lauren Satlowski

Installation view

Lauren Satlowski

Installation view

Lauren Satlowski

Installation view

Lauren Satlowski

Installation view

Lauren Satlowski

Puddle Water, 2019

Oil on linen

51 x 41 cm / 20 x 16 inches

Lauren Satlowski

Puddle Water, 2019

Oil on linen

51 x 41 cm / 20 x 16 inches

Lauren Satlowski

Puddle Water, 2019

Oil on linen

51 x 41 cm / 20 x 16 inches

Lauren Satlowski

Puddle Water, 2019

Oil on linen

51 x 41 cm / 20 x 16 inches

Lauren Satlowski

Puddle Water, 2019

Oil on linen

51 x 41 cm / 20 x 16 inches

Lauren Satlowski

House I, 2019

Oil on linen

36 x 28 cm / 14 x 11 inches

Lauren Satlowski

House I, 2019

Oil on linen

36 x 28 cm / 14 x 11 inches

Lauren Satlowski

House I, 2019

Oil on linen

36 x 28 cm / 14 x 11 inches

Lauren Satlowski

House I, 2019

Oil on linen

36 x 28 cm / 14 x 11 inches

Lauren Satlowski

House I, 2019

Oil on linen

36 x 28 cm / 14 x 11 inches

Lauren Satlowski
The Psychic (Reading Rainbow), 2019
Oil on linen
69 x 56 cm / 27 x 22 inches

Lauren Satlowski
The Psychic (Reading Rainbow), 2019
Oil on linen
69 x 56 cm / 27 x 22 inches

Lauren Satlowski
The Psychic (Reading Rainbow), 2019
Oil on linen
69 x 56 cm / 27 x 22 inches

Lauren Satlowski
The Psychic (Reading Rainbow), 2019
Oil on linen
69 x 56 cm / 27 x 22 inches

Lauren Satlowski
The Psychic (Reading Rainbow), 2019
Oil on linen
69 x 56 cm / 27 x 22 inches

Lauren Satlowski
Peaches, 2019
Oil on linen
51 x 41 cm / 20 x 16 inches

Lauren Satlowski
Peaches, 2019
Oil on linen
51 x 41 cm / 20 x 16 inches

Lauren Satlowski
Peaches, 2019
Oil on linen
51 x 41 cm / 20 x 16 inches

Lauren Satlowski
Peaches, 2019
Oil on linen
51 x 41 cm / 20 x 16 inches

Lauren Satlowski
Peaches, 2019
Oil on linen
51 x 41 cm / 20 x 16 inches

Lauren Satlowski
Sun Puppet, 2019
Oil on linen
101 x 51 cm / 40 x 20 inches

Lauren Satlowski
Sun Puppet, 2019
Oil on linen
101 x 51 cm / 40 x 20 inches

Lauren Satlowski
Sun Puppet, 2019
Oil on linen
101 x 51 cm / 40 x 20 inches

Lauren Satlowski
Sun Puppet, 2019
Oil on linen
101 x 51 cm / 40 x 20 inches

Lauren Satlowski
Sun Puppet, 2019
Oil on linen
101 x 51 cm / 40 x 20 inches

DM Office is pleased to present new works by Los Angeles-based painter, Lauren Satlowski, on view from 16 – 20 th October at 74 rue Mazarine.

One might think of it as a rebus or a visual game: a fisherman spotting a tuna can adrift at sea – or is it the other way around? It’s hard to keep straight - especially given that tin vanquishes flesh at the end of this micro-drama. A gaze eclipsed by a solar flare.

Something of this animates Lauren Satlowski’s painterly practice that departs from found objects transfigured by light. Gathered with a seeker’s open-ended purpose, her souvenirs are at once intimate and banal, inscrutable and oddly symbolic. Paired with self-made props and documented under the glaring Angeleno sky an alchemical exchange occurs. It’s hard to pinpoint where but that’s largely the point. Tethered to concrete matter, they also come to exceed it, attaining porous outlines that spill over onto compositions both faithfully rendered and willfully enigmatic. Object becomes vessel; vessel becomes portal.

Holbein knew that things are better when looked at askew; it’s only in parallax that the eye becomes ‘I.’ This is a painter’s end game – the transformative properties. Flashes of consciousness; brushes with the unknown. Sometimes this is a quiet revelation, requires only a blink and a flash, but it resonates beyond these narrow bounds, onto the quiet plight of assuming form under the vigilance of an external view.

Lauren Satlowski was born in Detroit, Michigan. She received an MFA from Cranbrook Academy of Art, Bloomfield Hills, Michigan in 2013 and a BFA from Wayne State University, Detroit, Michigan in 2009. She has exhibited through the U.S., Latin America and Europe, most recently in A Cloth Over a Birdcage at Château Shatto. Her work is part of the permanent collection of the Los Angeles Contemporary Museum Of Art.

DM Office is pleased to present new works by Los Angeles-based painter, Lauren Satlowski, on view from 16 – 20 th October at 74 rue Mazarine.

One might think of it as a rebus or a visual game: a fisherman spotting a tuna can adrift at sea – or is it the other way around? It’s hard to keep straight - especially given that tin vanquishes flesh at the end of this micro-drama. A gaze eclipsed by a solar flare.

Something of this animates Lauren Satlowski’s painterly practice that departs from found objects transfigured by light. Gathered with a seeker’s open-ended purpose, her souvenirs are at once intimate and banal, inscrutable and oddly symbolic. Paired with self-made props and documented under the glaring Angeleno sky an alchemical exchange occurs. It’s hard to pinpoint where but that’s largely the point. Tethered to concrete matter, they also come to exceed it, attaining porous outlines that spill over onto compositions both faithfully rendered and willfully enigmatic. Object becomes vessel; vessel becomes portal.

Holbein knew that things are better when looked at askew; it’s only in parallax that the eye becomes ‘I.’ This is a painter’s end game – the transformative properties. Flashes of consciousness; brushes with the unknown. Sometimes this is a quiet revelation, requires only a blink and a flash, but it resonates beyond these narrow bounds, onto the quiet plight of assuming form under the vigilance of an external view.

Lauren Satlowski was born in Detroit, Michigan. She received an MFA from Cranbrook Academy of Art, Bloomfield Hills, Michigan in 2013 and a BFA from Wayne State University, Detroit, Michigan in 2009. She has exhibited through the U.S., Latin America and Europe, most recently in A Cloth Over a Birdcage at Château Shatto. Her work is part of the permanent collection of the Los Angeles Contemporary Museum Of Art.

DM Office is pleased to present new works by Los Angeles-based painter, Lauren Satlowski, on view from 16 – 20 th October at 74 rue Mazarine.

One might think of it as a rebus or a visual game: a fisherman spotting a tuna can adrift at sea – or is it the other way around? It’s hard to keep straight - especially given that tin vanquishes flesh at the end of this micro-drama. A gaze eclipsed by a solar flare.

Something of this animates Lauren Satlowski’s painterly practice that departs from found objects transfigured by light. Gathered with a seeker’s open-ended purpose, her souvenirs are at once intimate and banal, inscrutable and oddly symbolic. Paired with self-made props and documented under the glaring Angeleno sky an alchemical exchange occurs. It’s hard to pinpoint where but that’s largely the point. Tethered to concrete matter, they also come to exceed it, attaining porous outlines that spill over onto compositions both faithfully rendered and willfully enigmatic. Object becomes vessel; vessel becomes portal.

Holbein knew that things are better when looked at askew; it’s only in parallax that the eye becomes ‘I.’ This is a painter’s end game – the transformative properties. Flashes of consciousness; brushes with the unknown. Sometimes this is a quiet revelation, requires only a blink and a flash, but it resonates beyond these narrow bounds, onto the quiet plight of assuming form under the vigilance of an external view.

Lauren Satlowski was born in Detroit, Michigan. She received an MFA from Cranbrook Academy of Art, Bloomfield Hills, Michigan in 2013 and a BFA from Wayne State University, Detroit, Michigan in 2009. She has exhibited through the U.S., Latin America and Europe, most recently in A Cloth Over a Birdcage at Château Shatto. Her work is part of the permanent collection of the Los Angeles Contemporary Museum Of Art.

DM Office is pleased to present new works by Los Angeles-based painter, Lauren Satlowski, on view from 16 – 20 th October at 74 rue Mazarine.

One might think of it as a rebus or a visual game: a fisherman spotting a tuna can adrift at sea – or is it the other way around? It’s hard to keep straight - especially given that tin vanquishes flesh at the end of this micro-drama. A gaze eclipsed by a solar flare.

Something of this animates Lauren Satlowski’s painterly practice that departs from found objects transfigured by light. Gathered with a seeker’s open-ended purpose, her souvenirs are at once intimate and banal, inscrutable and oddly symbolic. Paired with self-made props and documented under the glaring Angeleno sky an alchemical exchange occurs. It’s hard to pinpoint where but that’s largely the point. Tethered to concrete matter, they also come to exceed it, attaining porous outlines that spill over onto compositions both faithfully rendered and willfully enigmatic. Object becomes vessel; vessel becomes portal.

Holbein knew that things are better when looked at askew; it’s only in parallax that the eye becomes ‘I.’ This is a painter’s end game – the transformative properties. Flashes of consciousness; brushes with the unknown. Sometimes this is a quiet revelation, requires only a blink and a flash, but it resonates beyond these narrow bounds, onto the quiet plight of assuming form under the vigilance of an external view.

Lauren Satlowski was born in Detroit, Michigan. She received an MFA from Cranbrook Academy of Art, Bloomfield Hills, Michigan in 2013 and a BFA from Wayne State University, Detroit, Michigan in 2009. She has exhibited through the U.S., Latin America and Europe, most recently in A Cloth Over a Birdcage at Château Shatto. Her work is part of the permanent collection of the Los Angeles Contemporary Museum Of Art.

DM Office is pleased to present new works by Los Angeles-based painter, Lauren Satlowski, on view from 16 – 20 th October at 74 rue Mazarine.

One might think of it as a rebus or a visual game: a fisherman spotting a tuna can adrift at sea – or is it the other way around? It’s hard to keep straight - especially given that tin vanquishes flesh at the end of this micro-drama. A gaze eclipsed by a solar flare.

Something of this animates Lauren Satlowski’s painterly practice that departs from found objects transfigured by light. Gathered with a seeker’s open-ended purpose, her souvenirs are at once intimate and banal, inscrutable and oddly symbolic. Paired with self-made props and documented under the glaring Angeleno sky an alchemical exchange occurs. It’s hard to pinpoint where but that’s largely the point. Tethered to concrete matter, they also come to exceed it, attaining porous outlines that spill over onto compositions both faithfully rendered and willfully enigmatic. Object becomes vessel; vessel becomes portal.

Holbein knew that things are better when looked at askew; it’s only in parallax that the eye becomes ‘I.’ This is a painter’s end game – the transformative properties. Flashes of consciousness; brushes with the unknown. Sometimes this is a quiet revelation, requires only a blink and a flash, but it resonates beyond these narrow bounds, onto the quiet plight of assuming form under the vigilance of an external view.

Lauren Satlowski was born in Detroit, Michigan. She received an MFA from Cranbrook Academy of Art, Bloomfield Hills, Michigan in 2013 and a BFA from Wayne State University, Detroit, Michigan in 2009. She has exhibited through the U.S., Latin America and Europe, most recently in A Cloth Over a Birdcage at Château Shatto. Her work is part of the permanent collection of the Los Angeles Contemporary Museum Of Art.