Jean Baudrillard, Sarah Braman, Isabelle Cornaro,
M.C. Escher, Katsumi Hayakawa, Nir Hod,
Jenny Holzer, Ivan Navarro, Francesca Pasquali,
Jon Rafman, Evan Robarts, Will Ryman,
James Turrell & Dustin Yellin
Organized with Jenny Mushkin Goldman
53W53 Gallery, New York
April 3–21, 2017
Jean Baudrillard, Sarah Braman, Isabelle Cornaro,
M.C. Escher, Katsumi Hayakawa, Nir Hod,
Jenny Holzer, Ivan Navarro, Francesca Pasquali,
Jon Rafman, Evan Robarts, Will Ryman,
James Turrell & Dustin Yellin
Organized with Jenny Mushkin Goldman
53W53 Gallery, New York
April 3–21, 2017
Jean Baudrillard, Sarah Braman, Isabelle Cornaro,
M.C. Escher, Katsumi Hayakawa, Nir Hod,
Jenny Holzer, Ivan Navarro, Francesca Pasquali,
Jon Rafman, Evan Robarts, Will Ryman,
James Turrell & Dustin Yellin
Organized with Jenny Mushkin Goldman
53W53 Gallery, New York
April 3–21, 2017
Jean Baudrillard, Sarah Braman, Isabelle Cornaro,
M.C. Escher, Katsumi Hayakawa, Nir Hod,
Jenny Holzer, Ivan Navarro, Francesca Pasquali,
Jon Rafman, Evan Robarts, Will Ryman,
James Turrell & Dustin Yellin
Organized with Jenny Mushkin Goldman
53W53 Gallery, New York
April 3–21, 2017
Jean Baudrillard, Sarah Braman, Isabelle Cornaro,
M.C. Escher, Katsumi Hayakawa, Nir Hod,
Jenny Holzer, Ivan Navarro, Francesca Pasquali,
Jon Rafman, Evan Robarts, Will Ryman,
James Turrell & Dustin Yellin
Organized with Jenny Mushkin Goldman
53W53 Gallery, New York
April 3–21, 2017
Jenny Holzer
Lustmord, Erlauf, Arno, Blue, 1999
Horizontal LED sign: blue diodes, stainless steel housing
51 × 58 × 3 inches / 13.3 × 146.6 × 7.6 cm
Jenny Holzer
Lustmord, Erlauf, Arno, Blue, 1999
Horizontal LED sign: blue diodes, stainless steel housing
51 × 58 × 3 inches / 13.3 × 146.6 × 7.6 cm
Jenny Holzer
Lustmord, Erlauf, Arno, Blue, 1999
Horizontal LED sign: blue diodes, stainless steel housing
51 × 58 × 3 inches / 13.3 × 146.6 × 7.6 cm
Jenny Holzer
Lustmord, Erlauf, Arno, Blue, 1999
Horizontal LED sign: blue diodes, stainless steel housing
51 × 58 × 3 inches / 13.3 × 146.6 × 7.6 cm
Jon Rafman
Murillo BNPJ, 2014
Digital print mounted on Dibond
48 × 36 inches / 122 × 91 cm
Jon Rafman
Murillo BNPJ, 2014
Digital print mounted on Dibond
48 × 36 inches / 122 × 91 cm
Jon Rafman
Murillo BNPJ, 2014
Digital print mounted on Dibond
48 × 36 inches / 122 × 91 cm
Jon Rafman
Murillo BNPJ, 2014
Digital print mounted on Dibond
48 × 36 inches / 122 × 91 cm
Singular Object
Installation view
Singular Object
Installation view
Singular Object
Installation view
Singular Object
Installation view
Ivan Navarro
Untitled (Sears Tower), 2011
Neon, wood, paint, Plexiglass, mirror, one-way mirror & electric wiring
63 × 63 × 9 inches /160 × 160 × 22.9 cm
Ivan Navarro
Untitled (Sears Tower), 2011
Neon, wood, paint, Plexiglass, mirror, one-way mirror & electric wiring
63 × 63 × 9 inches /160 × 160 × 22.9 cm
Ivan Navarro
Untitled (Sears Tower), 2011
Neon, wood, paint, Plexiglass, mirror, one-way mirror & electric wiring
63 × 63 × 9 inches /160 × 160 × 22.9 cm
Ivan Navarro
Untitled (Sears Tower), 2011
Neon, wood, paint, Plexiglass, mirror, one-way mirror & electric wiring
63 × 63 × 9 inches /160 × 160 × 22.9 cm
James Turrell
Aten Reign, 2015
Archival pigment print
44 × 65 inches / 112 × 165 cm
Left: | Jean Baudrillard |
Right: | Nir Hod Dictator's home, 2017 Oil on chrome canvas 68 × 48 inches / 172.7 × 123.2 cm |
Left: | Jean Baudrillard |
Right: | Nir Hod Dictator's home, 2017 Oil on chrome canvas 68 × 48 inches / 172.7 × 123.2 cm |
Left: | Jean Baudrillard |
Right: | Nir Hod Dictator's home, 2017 Oil on chrome canvas 68 × 48 inches / 172.7 × 123.2 cm |
Left: | Jean Baudrillard |
Right: | Nir Hod Dictator's home, 2017 Oil on chrome canvas 68 × 48 inches / 172.7 × 123.2 cm |
Evan Robarts
Dialogue Line, 2017
Plexiglass & hose on wall
72 × 48 × 12 inches / 183 × 122 × 30 cm
Evan Robarts
Dialogue Line, 2017
Plexiglass & hose on wall
72 × 48 × 12 inches / 183 × 122 × 30 cm
Evan Robarts
Dialogue Line, 2017
Plexiglass & hose on wall
72 × 48 × 12 inches / 183 × 122 × 30 cm
Evan Robarts
Dialogue Line, 2017
Plexiglass & hose on wall
72 × 48 × 12 inches / 183 × 122 × 30 cm
Left: | Rachel Lee Hovnnian |
Right: | Will Ryman Flag, 2017 Car parts, railroad parts, computer parts, corn, coal, bullets, arrowheads, chains, shackles, wood, exterior paint 48 × 96 × 5 inches / 122 × 244 × 12 cm |
Left: | Rachel Lee Hovnnian |
Right: | Will Ryman Flag, 2017 Car parts, railroad parts, computer parts, corn, coal, bullets, arrowheads, chains, shackles, wood, exterior paint 48 × 96 × 5 inches / 122 × 244 × 12 cm |
Left: | Rachel Lee Hovnnian |
Right: | Will Ryman Flag, 2017 Car parts, railroad parts, computer parts, corn, coal, bullets, arrowheads, chains, shackles, wood, exterior paint 48 × 96 × 5 inches / 122 × 244 × 12 cm |
Left: | Rachel Lee Hovnnian |
Right: | Will Ryman Flag, 2017 Car parts, railroad parts, computer parts, corn, coal, bullets, arrowheads, chains, shackles, wood, exterior paint 48 × 96 × 5 inches / 122 × 244 × 12 cm |
Jon Rafman
NAD (Another Type of Flower Green Chrome), 2014
3D Polymide print, chrome plating
18 × 15 × 11 inches / 45 × 36 × 28 cm
Jon Rafman
NAD (Another Type of Flower Green Chrome), 2014
3D Polymide print, chrome plating
18 × 15 × 11 inches / 45 × 36 × 28 cm
Jon Rafman
NAD (Another Type of Flower Green Chrome), 2014
3D Polymide print, chrome plating
18 × 15 × 11 inches / 45 × 36 × 28 cm
Jon Rafman
NAD (Another Type of Flower Green Chrome), 2014
3D Polymide print, chrome plating
18 × 15 × 11 inches / 45 × 36 × 28 cm
Francesca Pasquali
Iceberg, 2016
Transparent plastic drinking straws on mirror polished Plexiglas & metallic frame
39 × 9 inches / 130 × 24 cm
Francesca Pasquali
Iceberg, 2016
Transparent plastic drinking straws on mirror polished Plexiglas & metallic frame
39 × 9 inches / 130 × 24 cm
Francesca Pasquali
Iceberg, 2016
Transparent plastic drinking straws on mirror polished Plexiglas & metallic frame
39 × 9 inches / 130 × 24 cm
Francesca Pasquali
Iceberg, 2016
Transparent plastic drinking straws on mirror polished Plexiglas & metallic frame
39 × 9 inches / 130 × 24 cm
Will Ryman
Untitled, 2014
Polyurethane, epoxy, wood, paint
60 × 60 inches /152 × 154 cm
Will Ryman
Untitled, 2014
Polyurethane, epoxy, wood, paint
60 × 60 inches /152 × 154 cm
Will Ryman
Untitled, 2014
Polyurethane, epoxy, wood, paint
60 × 60 inches /152 × 154 cm
Will Ryman
Untitled, 2014
Polyurethane, epoxy, wood, paint
60 × 60 inches /152 × 154 cm
Singular Object presents artworks by modern and contemporary artists in dialogue with Jean Nouvel’s architectural philosophies. Since their inception, the visual arts and architecture have been connected. Here, the connectivity is seen through their shared power to destabilize by means of the confrontation between materiality and illusion, the resulting punctum being where their artistic creation is truly achieved.
The artworks are singular in their varied methodology, such as appearance/disappearance, destruction/creation, appropriation/revelation and transparency/obscurity), yet all, in their enigmatism and rebelliousness, trigger a similar metaphysical sequence of constant evolution that goes forward in perpetuity in the cyclical search for the limit of nothingness and finding infiniteness within that which is most concrete. Jean Nouvel's structures, including 53W53, and the visual artworks presented, are singular objects that contain spirit of our age with the vitality for the future, their essence built with the ephemeral mediums of transparency, spontaneity, autonomy, mutation, time, and light. They contain, as Jean Baudrillard described in his influential statement regarding architecture, “a mixture of nostalgia and extreme anticipation.”
Singular Object presents artworks by modern and contemporary artists in dialogue with Jean Nouvel’s architectural philosophies. Since their inception, the visual arts and architecture have been connected. Here, the connectivity is seen through their shared power to destabilize by means of the confrontation between materiality and illusion, the resulting punctum being where their artistic creation is truly achieved.
The artworks are singular in their varied methodology, such as appearance/disappearance, destruction/creation, appropriation/revelation and transparency/obscurity), yet all, in their enigmatism and rebelliousness, trigger a similar metaphysical sequence of constant evolution that goes forward in perpetuity in the cyclical search for the limit of nothingness and finding infiniteness within that which is most concrete. Jean Nouvel's structures, including 53W53, and the visual artworks presented, are singular objects that contain spirit of our age with the vitality for the future, their essence built with the ephemeral mediums of transparency, spontaneity, autonomy, mutation, time, and light. They contain, as Jean Baudrillard described in his influential statement regarding architecture, “a mixture of nostalgia and extreme anticipation.”
Singular Object presents artworks by modern and contemporary artists in dialogue with Jean Nouvel’s architectural philosophies. Since their inception, the visual arts and architecture have been connected. Here, the connectivity is seen through their shared power to destabilize by means of the confrontation between materiality and illusion, the resulting punctum being where their artistic creation is truly achieved.
The artworks are singular in their varied methodology, such as appearance/disappearance, destruction/creation, appropriation/revelation and transparency/obscurity), yet all, in their enigmatism and rebelliousness, trigger a similar metaphysical sequence of constant evolution that goes forward in perpetuity in the cyclical search for the limit of nothingness and finding infiniteness within that which is most concrete. Jean Nouvel's structures, including 53W53, and the visual artworks presented, are singular objects that contain spirit of our age with the vitality for the future, their essence built with the ephemeral mediums of transparency, spontaneity, autonomy, mutation, time, and light. They contain, as Jean Baudrillard described in his influential statement regarding architecture, “a mixture of nostalgia and extreme anticipation.”
Singular Object presents artworks by modern and contemporary artists in dialogue with Jean Nouvel’s architectural philosophies. Since their inception, the visual arts and architecture have been connected. Here, the connectivity is seen through their shared power to destabilize by means of the confrontation between materiality and illusion, the resulting punctum being where their artistic creation is truly achieved.
The artworks are singular in their varied methodology, such as appearance/disappearance, destruction/creation, appropriation/revelation and transparency/obscurity), yet all, in their enigmatism and rebelliousness, trigger a similar metaphysical sequence of constant evolution that goes forward in perpetuity in the cyclical search for the limit of nothingness and finding infiniteness within that which is most concrete. Jean Nouvel's structures, including 53W53, and the visual artworks presented, are singular objects that contain spirit of our age with the vitality for the future, their essence built with the ephemeral mediums of transparency, spontaneity, autonomy, mutation, time, and light. They contain, as Jean Baudrillard described in his influential statement regarding architecture, “a mixture of nostalgia and extreme anticipation.”
Singular Object presents artworks by modern and contemporary artists in dialogue with Jean Nouvel’s architectural philosophies. Since their inception, the visual arts and architecture have been connected. Here, the connectivity is seen through their shared power to destabilize by means of the confrontation between materiality and illusion, the resulting punctum being where their artistic creation is truly achieved.
The artworks are singular in their varied methodology, such as appearance/disappearance, destruction/creation, appropriation/revelation and transparency/obscurity), yet all, in their enigmatism and rebelliousness, trigger a similar metaphysical sequence of constant evolution that goes forward in perpetuity in the cyclical search for the limit of nothingness and finding infiniteness within that which is most concrete. Jean Nouvel's structures, including 53W53, and the visual artworks presented, are singular objects that contain spirit of our age with the vitality for the future, their essence built with the ephemeral mediums of transparency, spontaneity, autonomy, mutation, time, and light. They contain, as Jean Baudrillard described in his influential statement regarding architecture, “a mixture of nostalgia and extreme anticipation.”